Photoshoot

The front cover character will be me as I reinforce the conventional hero stereotype and because it is recognizable for the consumer. 

For the contents page we would need a still image from the production, it will be during the final fight scene.

 

The double page spread will consist an image from the fight scene where my powers are present (ability to freeze time for a short while).

The shots needed are Medium shot for the front cover of me. Low andle close up shot of other protagonist holding the gun up. Long wide shot of the fight scene for the double spread.

 

 I will be wearing a casual suit with a V neck shirt, Huseein will be wearing a suit with a leather trench coat, and Hitik will wear a black suit with a smart shirt.

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CONTENTS PAGE RESEARCH

It contains a still image from a film as a background, where the head of the subject is covering the word 'contents'. This is every consistent is Empire magazines and other big title magazines.

This contents page categorizes the pages to its relevant title which is colour co-ordinated. This could give an insight what that page is based on.

Whats conventional about this page is that it contains the magazines title at the right corner of the contents page to reinforce their brand even further.

 This contents page contains short snappy words to categorize the pages below, this technique gets the consumer wondering what in the page.
     

This contents page follows one and only font it all of its text, although they are different sizes they kept it constant through out the page.

BROCHURES RESEARCH

 The thing that I could use is the consistent use of graphical shapes and designs.

Whats appealing and what I might use is the way Images overlap other images or text, as shown with the pop corn.

This might influence me to use another image as a background rather than keeping it plain or with a singular colour.

I could use the idea of three primary colours used repeatedly to make it visually appealing to the viewer.

In the case I like the way the image on the left side comes across the page to make it unbalanced.

BFI COVER RESEARCH

Convention Applied

Title of publication:
This cover contains a large distinctive title in large fonts, It is placed In the middle of the cover to establish its importance. The thing that makes this front cover unique is that it contains bright coloured images with in the text it self.

Slogan: 
This cover doesn't really show a slogan in the cover as this is a programme front cover, magazines would conventionally have a slogan that rings a bell when heard by loyal fans.

Central Image:

The image used is shot in a monochromatic style which makes it hard to see if you look at the background. However, you could see other images inside the title displaying bright coloured pictures which are also ambiguous.

‘Flash’ / Cover Line / Sell Line:
This is another thing that is used in magazines rather than film programme booklets. The only other text displayed on this cover is the dates of the festival and their partnerships.

Free offer:
There isn't any signs of a give prize or even a 'free' item with the booklet this might be because this issue is free itself.

Colour scheme:
This piece of print work subverts the typical style of colour schemes. Conventionally, covers of any sort would have a maximum of three prime colours because it is believed that it would make the consumer comfortable and appealed to the cover. In this cover there is monochromatic (black and white) background, and the colours of the images in the text are of all kinds. There is a multitude of colours inside the text alone.

Colour scheme:
As this is not a magazine cover it shouldn't have any well known celebrity names on the cover at all. This cover is invaded by the vivid, bold title text.

Language:
There is formal language used when mentioning their partnerships. That is it when it comes to sentences on the cover. it doesn't really contain snappy words or puns that cause interest in the consumers but rather the visual side would grab their attention.

Competitions:
There is no promotional competitions displayed on the cover but this doesn't mean it wouldn't have any inside the issue.

Direct Address & Asking Questions:
As said before the cover is lacking alot of text which doesnt allow this technique to be applied.

Bar code, Date and Price:
A date is present on the cover which addresses the consumer when that festival is on for, there isn't any bar code or prices on the cover simply because this booklet is free of charge.

The ‘Real’ Target Audience:
It is quite clear to who this booklet is targeted at simply from the cover. It would be Older teenagers to middles aged people of both genders.

Shot List Final

Storyboard

Mise-en-scene

Mise-en-scene – Click

Scenes	Actual Locations	When the scene is applicable
	S Colonade, Outside Canary Wharf DLR Station	When both detectives are discussing the potential crime scene
	LOMBARDY RETAIL PARK, SAINSBURYS CAR PARK, HAYES	When the fight scene occurs
	Office, Greenford High School	When Jean returns to the office to reveal traumatic news to Joe.

Props that is needed:

·         Fake Blood

·         Suits

·         Fake Guns

·         LED Lights

·         Tripods

·         Steadicam

·         Lavlier microphones

Costumes

·         Suits

·         Domestic clothing

·         Balaclava

Casting Details

Abdullah Al-Fadhli – Detective Jean-Baptiste Banks - a detective that has had a fatal experience of watching his family being tortured by the kingpin ‘Brute’ in front of his eyes. Jean desires vengeance but has been frightened of ‘Brute’ ever since.

Hitik Gohil – Detective Joseph Forbes – a detective who hasn’t experienced the same ordeals as Jean but feels sympathetic. Just as Jean, he feels that Brute has to be taken down. Joe and Jean are partners at EPD (Ealing Police Department).

Hussein Hamume – DeAndre Jones (Brute) – nicknamed Brute due to his aggressive manner towards his enemies. Due to his harsh childhood, Brute has chosen the path of crime. He is the kingpin of the Ealing area with many well-known criminals and policemen (not Detective Jean and Joe) work for him. 

Ahmed Khalil – Mustapha ‘Spiker’ Ali – (Former drug dealer to being a reformed character). He now works in a grocery store. Spiker had to change his ways due to the fact that he is experiencing loneliness because he misses his daughter ‘Alia’. However he has been persuaded to one last job for a rival gang which was to kill ‘Brute’. This is important as Spiker didn’t originally want to do this act but was blackmailed due to the threat that the gang mad towards Alia.